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The French week kicks off with music and poetry with the legend of Carmen. Beyond the impulsive Andalusian atmosphere, both directing elements of Dimitry Cherniakov and the musical management of Pablo Eraskasado open the way to a contemporary new vision of the most famous opera in the world. Summary: She was born free, and she died free. Sometimes she is the cigarette maker, and sometimes she is the smuggler, we see her somewhat practicing black magic, and we often see her as a lover. She succeeded in seducing the laid-off Don Jose, and in the infatuation of bullfighter Escamello. Carmen is an ally of love, a rebellious bird and a Roma girl.